The white muslin that the photos are printed on is whiter in "real life." Color balance in cameras along with getting a moire pattern off of the fabric that doesn't exist in "real life" can be such a bother. But I'm not going for photo perfection when I post these on the blog; that's my story and I'm stickin' to it!
#40 was photographed in Orvieto, Italy. I haven't posted the Orvieto photos yet but suffice it to say that the village exceeded our expectations and I would return there in an instant. It's a day trip from Florence where we didn't spend enough time.
Components: hand-dyed muslin, photo printed on prepared for printing muslin. scraps of blue dyed fabric and machine stitching. I like the serendipitous imperfections of these pieces; they remind me of the richly aged buildings in Italy.
#41, Positano, Italy, photographed on the long walk into the village.
Components: hand-dyed fabric, photo printed on prepared for inkjet printing muslin, distressed lutradur sewn onto scrap of fabric, machine stitching.
Learned: that having a stash of hand dyed fabrics is as great as I thought it would be! Can't wait to be able to dye fabric again; no relief from the brutal temps yet, though, a drop from 113 to 100 was very nice! I've never experimented a lot with printing onto fabric and now that I've done a few pieces I will be stocking up on Bubble Jet Set. I also know for certain that I love doing a series of images or approaches and could continue with the Laundry Day series for awhile, but then I wouldn't be following one of my guidelines for the 52 projects. Experiment!
Later: I'm not in the mood, too many stresses lately, to redo this post, but I wish I had waited to read lesson #2 of a digital photography class that I'm taking. Go to my other blog to see what I learned today, August 11th post. I'm excited about the possibility of improving how I photograph my art pieces. White balance built into a camera is a good thing!
Quote: our waking hours form the text of our lives, our dreams, the commentary. Anonymous